Showing posts with label frog jones. Show all posts
Showing posts with label frog jones. Show all posts
Tuesday, February 24, 2015
Bad Boys and Boyfriend Material: Redefining YA Romance
I recently returned from RadCon, where I had the opportunity to speak on a number of interesting panels, with a number of interesting people. One of the weekend’s best panels was about young adult fiction—always a favorite subject of mine, especially when I get to talk shop with authors Alma Alexander, Frog Jones and Robert L. Slater. The discussion was lively, and one topic that came up has continued to bounce around in my head:
Do you write messages or themes into your books?
Actually, I do, though I’d never really talked about it in public before RadCon. While I’m not sure I would classify them as themes, exactly, I definitely write certain concepts into my books: concepts I want to celebrate, as well as concepts I want to challenge or deconstruct. The example I gave in the panel was the romance (and, in some ways, lack thereof) in the Flicker series—and I want to explore that further here.
I wrote Nasser and Filo as direct responses to some of the tropes and trends in YA fiction that have been driving me up the wall for the last few years.
(I'd like to take this opportunity to direct your attention to the absolute goldmine that is @BroodingYAHero. By some miracle, I happened across the account while formatting this blog post, and it points out everything that frustrates me about YA romance, in the funniest way possible.)
Before I wrote Flicker, I was burned out on YA heroes—specifically, I was burned out on what I call “Beautiful Jerks.” You know the kind: broody, mysterious, constantly giving mixed signals. He tends to be overprotective and controlling, sometimes to the point that the heroine is actually scared of him (though this fear often becomes confused for attraction and feelings of love). His only redeeming quality is his smoldering good looks, and that’s supposed to make up for the rest of his terrible personality.
The kind of romantic lead that interested me—genuinely sweet and respectful, from start to finish, basically the opposite of the “bad boy” type—seemed to be considered pretty boring by most people. Nobody seemed to be writing heroes like the one I wanted to read about. I had no choice but to write my own.
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